Ikonotheka, t. 24/2013
Aleksandra Sulikowska, Inter dissidentes in religione: Relations between Denominations and the Debate on Images in the Old Commonwealth of Poland
und im ersten Viertel des 20. Jahrhunderts
Dorota Chzicka, Face to Face with Modernism: Stanisław Szukalski in Chicago, 1913-1923
Diana Wasilewska, Rhetorical Strategies of Discrediting the Adversary in Polish Art Criticism of the 1930s
Marek Czapelski, A House from a Factory: Polish Architects and Prefabricated Residential Housing in the 1950s
Ika Matyjaszkiewicz, The Body and Memory: Actualization of the Absent in Mirosław Bałka’s How It Is
Table of Contents
Articles Aleksandra Sulikowska Inter dissidentes in religione: Relations between Denominations and the Debate on Images in the Old Commonwealth of Poland / 5
Jacek Żukowski Hermaphroditus or Salmacis? Feminization of Male Fashion in the 17th Century / 27
Andrzej Pieńkos The Paradox of Music according to Félix Vallotton: Symbolism or Non-Symbolism? / 45
Dariusz Kacprzak Juliusz Teodor Heinzel Freiherr von Hohenfels und seine Kunstsammlung: ein Beitrag zur Geschichte des Sammlertums der Lodzer Fabrikanten Ende des 19. und im ersten Viertel des 20. Jahrhunderts / 59
Dorota Chzicka Face to Face with Modernism: Stanisław Szukalski in Chicago, 1913-1923 / 89
Inés Ruiz Artola The Formists and the Ultra Formation / 111
Piotr Słodkowski The Origins of the International Collection of Modern Art: Attites about the Collection and the Course of its Mythicization 123
Diana Wasilewska Rhetorical Strategies of Discrediting the Adversary in Polish Art Criticism of the 1930s / 141
Marek Czapelski A House from a Factory: Polish Architects and Prefabricated Residential Housing in the 1950s / 155
Ika Matyjaszkiewicz The Body and Memory: Actualization of the Absent in Mirosław Bałka’s How It Is / 185