Ikonotheka, t. 24/2013
Wydawnictwo: Uniwersytet Warszawski
Autor: Praca zbiorowa pod red. nauk. Grażyny Jurkowlaniec i Marka Czapelskiego
Dostępność:
Wysyłamy w ciągu 3-5 dni
Oprawa: miękka, Format: 17x24 cm, Stron: 204 , 2013 r.
Aleksandra Sulikowska, Inter dissidentes in religione: Relations between Denominations and the Debate on Images in the Old Commonwealth of Poland
Jacek Żukowski, Hermaphroditus or Salmacis? Feminization of Male Fashion in the 17th Century
Andrzej Pieńkos, The Paradox of Music according to Félix Vallotton: Symbolism or Non-Symbolism?
Dariusz Kacprzak, Juliusz Teodor Heinzel Freiherr von Hohenfels und seine Kunstsammlung: ein Beitrag zur Geschichte des Sammlertums der Lodzer Fabrikanten Ende des 19.
und im ersten Viertel des 20. Jahrhunderts
und im ersten Viertel des 20. Jahrhunderts
Dorota Chzicka, Face to Face with Modernism: Stanisław Szukalski in Chicago, 1913-1923
Inés Ruiz Artola, The Formists and the Ultra Formation
Piotr Słodkowski, The Origins of the International Collection of Modern Art: Attites about the Collection and the Course of its Mythicization
Diana Wasilewska, Rhetorical Strategies of Discrediting the Adversary in Polish Art Criticism of the 1930s
Marek Czapelski, A House from a Factory: Polish Architects and Prefabricated Residential Housing in the 1950s
Ika Matyjaszkiewicz, The Body and Memory: Actualization of the Absent in Mirosław Bałka’s How It Is
Table of Contents
Articles Aleksandra Sulikowska Inter dissidentes in religione: Relations between Denominations and the Debate on Images in the Old Commonwealth of Poland / 5
Jacek Żukowski Hermaphroditus or Salmacis? Feminization of Male Fashion in the 17th Century / 27
Andrzej Pieńkos The Paradox of Music according to Félix Vallotton: Symbolism or Non-Symbolism? / 45
Dariusz Kacprzak Juliusz Teodor Heinzel Freiherr von Hohenfels und seine Kunstsammlung: ein Beitrag zur Geschichte des Sammlertums der Lodzer Fabrikanten Ende des 19. und im ersten Viertel des 20. Jahrhunderts / 59
Dorota Chzicka Face to Face with Modernism: Stanisław Szukalski in Chicago, 1913-1923 / 89
Inés Ruiz Artola The Formists and the Ultra Formation / 111
Piotr Słodkowski The Origins of the International Collection of Modern Art: Attites about the Collection and the Course of its Mythicization 123
Diana Wasilewska Rhetorical Strategies of Discrediting the Adversary in Polish Art Criticism of the 1930s / 141
Marek Czapelski A House from a Factory: Polish Architects and Prefabricated Residential Housing in the 1950s / 155
Ika Matyjaszkiewicz The Body and Memory: Actualization of the Absent in Mirosław Bałka’s How It Is / 185
